Numbered and signed by the artist. Collage material from original pages of old books some over 20 years old , red mould made-paper, and old correction labels. The 'textual message' is conveyed by rectangular shapes printed in red using brass rules. Starting with a simple rectangle on the first page, the shapes are increasingly sub-divided on each page in the course of the book.
The succinct message in these 'dummy text blocks' on the first page is: On the right side, the collage images come into play. A green rectangle serves as their frame or 'connection point. For the collages, I used pages from old books as well as red mould-made paper and red-and-white proofing stickers from the 19th century.
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The paper in these old books, some of them printed more than years ago, and the brass rule printing on the green mold-made paper bring these two levels together. The book paper contributes 'real' legible text to the image pages, even if only in a fragmentary way, while the intended 'text pages' are seen more as graphic images. Paperback; English language; a fair reading copy. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent airmail.
Sunrise Books Ltd ]. There is a real menace that comes with the fog and the rot and the glimpses of graffiti hanging in the air like satanic versions of the Northern Lights. Shapero Rare Books ]. Publisher's brown leather binding, with plain cream dustwrapper, in brown cloth slipcase, all edges gilt; signed by the authors; fine. Henry Sotheran Ltd ]. Number of only copies. A new edition of this classic book with 45 four color illustrations by Maggie Taylor.
A fine copy in a fine dust jacket and in a fine purple cloth clamshell box. Signed by Taylor in the book. Includes an original laid in color photograph by Taylor that is matted and signed by Taylor as well. Limited Edition of copies. Inscribed and signed by author. Harvest Book Co ]. Noch weniger Landschaften rufen solchen Respekt hervor wie der selten bereiste Nordpol. Sebastian Copeland verfolgt mit seinem Buch das edle Ziel, sich vor dieser arktischen Wunderwelt zu verneigen und unser Bewusstsein auf ihre bedrohliche Lage zu lenken.
Deutsch Gewicht in Gramm: Often categorized alongside artists working within the tradition of Pop Art, such as Andy Warhol, Damien Hirst, and Jeff Koons, Murakami's work has achieved a widespread level of fame beyond the art world. He continues to explore the links between traditional printmaking and Japanese styles of comics in post-war society in his highly graphic, vibrantly colored works. Despite its outward playfulness, Murakami's art acts as a cultural critique with subversive undertones hidden in its imagery. Born on February 1, in Tokyo, Japan, where he currently lives and works, Murakami has embraced commerce through the founding Kaikai Kiki Co.
With his popular collaboration with the fashion label Louis Vuitton, Murakami has established himself as a pioneer of promoting art as a brand. Introduction Chapter smuggling criminal investigation chapter outlines the task of Section Smuggling Investigation Section and the basic principles of the concept of a crime of smuggling and type of Chapter II Smuggling Investigation Section of the basic procedures for Smuggling Investigation Section under the jurisdiction of criminal cases of smuggling of coercive measures for the third quarter of the proce Limited edition of copies.
We cannot do better at introducing this book than to share the words of Henry Morris himself, in the Foreword to this book: And I like the idea of being able to look through such a book getting a sense of the progression and variety of works produced over a period of fifty years. The contents of each of the copies produced will vary as quantities of any single item were limited. The book includes thirty-six pages of brief running commentaries on the books, as are facsimiles of relevant letters. Bound in green cloth with a black leather spine label, the numerals "50" on the front in gilt, title page in green and black, initial letter of text in green, prospectuses and specimen leaves bound or tipped in throughout, composed in Dante type, printed on Zerkall Mouldmade paper, binding done by the Campbell-Logan bindery.
Clamshell case is covered in brown cloth with hints of orange, green leather spine label with gilt lettering,.
Fine in a like box. International customers, please note that additional postage may apply, please contact seller for details. Please contact us with any questions you may have, we are here to help. Swan's Fine Books ]. Porsche - Excellence Was Expected. Bentley - First edition thus, 3 volumes, 4to.
A much admired three-volume set covering the history of the company and the man between and Publisher's brown leather binding, with plain cream dustwrapper, in brown cloth slipcase, all edges gilt; signed by Stephen J. Children's High Level Group. Publisher's original leather binding, ornately embellished with metal skull, corner pieces and clasp incorporating replica gemstones. The book is housed in a velvet drawstring bag, with the author's embroidered signature in gold to the front. Housed in the original leather clamshell case, the title embossed on the upper cover and in gilt to the spine.
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The case is felt lined with an inside pocket containing 10 ready to frame prints within the original printed envelope. The book also contains 10 illustrations not found in the regular trade edition. The entire collection is in fine condition. With the author's authentication hologram, as issued. Signed examples of the deluxe edition are very scarce. Further details and images for any of the items listed are available on request.
Lucius Books welcomes direct contact with our customers. Lumiere Press in conjunction with Joseph Bellows Gallery, The endpapers are slate-grey Bugra, a mould-made sheet.
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Twenty-three photographs have been meticulously reproduced in 10 micron stochastic tritone lithography on Utopia Premium paper and varnished. Hand bound with a cover pattern designed by Michael Torosian derived from elements in Paul Caponigro's photograph, West End, Boston, Massachusetts, , printed letterpress in grey and silver ink on Strathmore Grandee paper.
Quarter bound in Asahi Japanese book cloth with paper label. The book measures 7 x 9 inches: Numbered edition of As New copy, still in the publisher's mailing box.. Each print signed by the artist and numbered on the reverse, Utopia is a pun on the Greek ou topos meaning 'no place'. People are very wedded to the idea of a neat ending: But life doesn't work like that - it's a continuum.
A vocal advocate of therapy and analysis, in the Map of Nowhere Perry explores his own belief system; His opinions contend with those he finds crowding around him in wider society. The print's grand proportions encompass the artist's taste for niggling detail. Perry started the drawing in the top left-hand corner, and worked towards the bottom right-hand corner, without planning the in-between; instead ideas were allowed to emerge, leading from one to another, through the drawing process. As also seen in his subsequent major etchings, Map of an Englishman or his 'playscape', Print for a Politician , Perry prefers to leave ink on the plate during the printing process; he avoids creating too crisp an image in order to evoke an antique look.
Perry is yoking his map to its historical pedigree. With this etching, Perry is working from a big historical model rather than one from fine art: As pre-Columbian diagrams, they would illustrate a sum of knowledge, acting as both instructive and decorative objects, making connections vivid and comprehensible. It showed Jesus as the body of the world, with his head, hands and feet marking four equidistant points around the circle. Perry spikes the tradition with contemporary social comment. Within a circular scheme, like the Ebstorf Map, or the existent Hereford Mappa Mundi, he presents a flattened-out analysis of his world - from jibes about current affairs to the touchstones of his personal life.
Where the Ebstorf Map has the world unfolding around Jerusalem, Perry's personal world view encompasses a cacophony of ideas and preoccupations, with 'Doubt' right at the centre. The artist's alter ego Claire gets a sainthood, while people pray at the churches of global corporations: Tabloid cliches abound, each attached to a figure or building: Top right, the 'free-market-economy' floats untethered, preempting the credit crunch that was to take hold in the autumn of All-over labels demand that the map is read - or quizzed - close up.
This is a clearly articulated satire, and while Perry adopts a medieval confusion of scale and proportion, the diagrammatic style is as adamant as its religious forerunners. Beneath, there is a drawing of figures on a pilgrimage, set in a realistic landscape. They are at final staging post before making their way up to a monastery at the top of a mountain beyond, which is hit by a beam of light, coming from the artist's bottom.
The Old Stile Press , Folio - over 12 - 15" tall. II of 10 of the Special Edition, with an original signed watercolour and a suite of four proofs of the prints from within the book, signed and numbered by the artist, all five in a wallet.
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There are many stories and legends of selkies - the seals that surround the shores of Orkney - their deep brown eyes that captivate humans, their singing that mesmerises. George Mackay Brown had written stories of them before his passing in Then the publishers met an American artist, Michael Onken, who came regularly to Scotland to draw and paint and had developed a passion for the writing of GMB and for selkies which he drew while on Orkney.
They asked the literary executors of GMB if by any chance there might be any unpublished writing about selkies - and almost by return they were offered this story, "The Girl from the Sea". It is a simply told play which involves a young man, his elderly parents and the arrival of a beautiful girl in their midst N.
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A lovely book with a haunting story. Bound in blue-grey cloth with a pictorial front panel of the artist's design, sky blue endpapers, title page in brown and moss green, text in moss green, profusely illustrated by Michael Onken with 27 images printed directly from wood engraved, woodcut and lino cut blocks; folio size approximately II of the ten, signed by the artist on the colophon page.
Accompanied by the signed, original watercolour and a suite of four proofs in a wallet, each signed and numbered by the artist, as referred to above. The volume and the separate illustrations are enclosed in a clamshell box covered in grey cloth, paper pastedown on the front of the box of a drawing of George Mackay Brown. Fine, as are the separate suite of proof prints and the original watercolour; the box has a gentle bump to one corner, else fine.
International customers, please note that additional postage may apply as the standard does not always cover costs; please contact us for details.
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V of XV of the Special Edition, in a special binding designed and executed by Julian Thomas, who was taught bookbinding by the late John Ewart Bowen, who himself was apprenticed to George Fisher in the bindery of the original Gregynog Press. A Fellow of Designer Bookbinders and its President the year this book was published, Julian Thomas' bindings are found in many of the world's major public and private collections. Also accompanying the Special Edition is a signed and numbered print, "A Twitter of Linnets", specially engraved by Colin See-Paynton for this edition, and printed by him on Japanese Gampi Vellum hand-made paper in an edition of 25, this no.
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